In addition to the dictatorship of the audience figures that “El hormiguero” held, it is indisputable that “La revuelta” brought new ingredients to approach memoir (or, as we shall now call it, “authentic” the first timeWe must begin, as we have already spoken on other occasions, n the age range of the audience who had been absent from television at that time.
Music like that. Another element that undoubtedly brought the Broncano organization to the stage (we leave the quality of access and guests to another day, which are ultimately subjective questions) is live music. Most often, artists are seen singing on stage to live and entertain people Danna Paola, Ana Mena, Israel Fernandez, Judeline or Carin Leonbetween many others. Among the most noted soprano Sonya Yoncheva because of the particular thing that the artist of those brands sings on television or Biznagawithin the style of punk too far on television. But no one said goodbye as well as the vacation he gave Amaya.
Walking around the stage. In order to present his new single, “I thought”, the Navarre artist began to sing what seemed to be a more or less customary process in the development process. acapella without warning, his camouflaging towards the “gift”, as those between David Broncano and his guests have traditionally changed. Gradually, more musical elements appear in the song (keyboard, wind and strings, choir) as the artist leaves the stage, passes the audience and reaches the street, where his hand is waiting. The following shots are notorious for their complexity and mathematical preparation, as can be seen from videos like this one of an experiment that ” shared George Prieto, a stable operator.
3 days to review. that price According to VerTele, This is to prepare for the performance of the show. In addition, it involved a great personnel effort, since the production company of the program was coordinated by David Broncano and Jorge Ponce, Encofrados Encofrasa, with the participation in the recording of 13 musicians, 24 backup singers and 40 extras. “La Revuelta” also had ten more people than usual for this issue.
In distant times. Remember the attitude of ‘La Revuelta’ to music in the past on television, when a musician’s intervention on camera was an opportunity to demonstrate his talent, not an invitation to play tricks. Programs like ‘Applause’, ‘Popgram’ or ‘Musical Express’ were a reflection of the times in which music was essential for public entertainment. Over time, the taste and the way of understanding the music itself have changed, and the only remnants of it remain: isolated programs such as the veterans ‘Los Concertos de Radio III’, also in public La II, and above all moments sometimes in programs with the format late at nightwhich they usually incorporate. But like ‘La Revuelta’ in its purest form with top-notch artists and prime time, it hadn’t been seen in years.
Also in ‘El Hormiguero’. The games were also seen in “El Hormiguero”, and usually by singers of major international significance, as the usual guests of the program Pablo Motos. men G, Yerai Cortesius or Robbie Williamsamong many others they played live, but the characters of the Antena 3 program can do this less often. The merit of Broncani’s program, without a doubt, is in the space it offers to artists and minor genres not so well known. love and who thus find an unusual projection in time of prerogative. It deserves to be brought to television by both of them.
Figures, as always. None of this helps ‘La Revuelta’ or ‘El Hormiguero’ to predict the winners of the duel they have been fighting for months. Yesterday, as usual; Broncano defeated Motos in a narrow range of cases, with 15.7% shared and 2,002,000 viewers compared to 15.3% and 1,963,000. However, ‘El Hormiguero’ had more in the overall narrative of the day, although very little: only 31,000 more viewers and 15.4% of participants compared to 15.1%. This is how they closed before the holidays in a tight time frame so we can get the information now.
Loss balance. consultant Barlovento CommunicationFor example, today they published an analysis in which they declared the winner La Revuelta, which in these months 15.7% of Curabitur. participants and 2,054,000 viewers compared to 15.6% and 2,036,000 for El Hormiguero. Even more space occurs in the narrow middle line, with 16.3% of participants de Broncano is compared to 15% of ‘El Hormiguero’.. The competition is certainly healthy for the spectators and if Amaia gives us gifts, she is welcome.
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